Showing posts with label literature. Show all posts
Showing posts with label literature. Show all posts

Thursday, March 20, 2014

The Classic Project Extras: To Kill a Mockingbird

To Kill a Mockingbird by Harper Lee is arguably one of the great American novels. The reason this book wasn't on my Classic Project list from the beginning is that I've already read it. Like most people my age, I read it in school, but I picked it up again as inspiration for my new novel which will be part of the "Southern Literature" genre that Harper Lee's masterpiece exemplifies.

So here's a Classics Project Extra of Harper Lee's To Kill a Mockingbird.


When I read this in my early teens, I fell in love. Harper Lee has both a mastery of the language and the ability to tell moving stories. But in rereading this as an adult, there was a lot I missed in the first reading.

Even though Scout, the main character, is younger than I was when I read the book, as a reader I related more to her point of view and saw the world through her eyes. Given my age and the fact that it is written in first person, that's understandable. But now, as an adult, it's fascinating to see what I missed. I had little to no understanding of most of the adults' true motivations or the full depth of material. I missed most of the winks and nods that Harper Lee deftly wove in and that Scout, too, missed entirely.

One thing that struck me on this read-through (that the first time I accepted without question) was the casualness with which Scout views oppression. I grew up in a small Southern town that still had de facto segregation, so Scout's world wasn't too far off from my own. Now, with a decade of detachment from that small town, the institutionalized racism is shocking and intense. Before, much like Scout, I understood that that was just the way things were. Now it colored my reading with a darker hue.

Which brings me to perhaps the crux of the book.

Most people see To Kill a Mockingbird as Harper Lee's love letter to her father, and as a daughter of a terribly impressive and admirable man, I empathize with that facet of the novel, but for me there is a much more pressing issue presented.

SPOILERS AHEAD

In the book, Scout's father, Atticus Finch, is the defense attorney for a black man named Tom Robinson who is accused of raping a white woman. Her father defends his client despite the town's condemnation. He demonstrates the innocence - or at the very least the reasonable doubt of guilt - of his client, but the jury still finds the man guilty.

This is shown as a very small victory because the jury took so long to decide the defendant's fate. The book shows the hard struggle and sometimes inevitable defeat of the fight for equality, and I think that is all many readers take away from the trial.

Near the end of the book there is an incident where a recluse known as Boo Radley kills a man to protect Scout and her brother. Atticus and the Sheriff decide not to report the circumstances of the death because they don't want to force Boo Radley into the spotlight. Atticus tells Scout that forcing him into court would be the same as killing a mockingbird - destroying something precious that doesn't hurt anyone. So the death is reported as an accident and Boo Radley's name goes unmentioned.

Now I don't disagree with either of these lessons. 1) That even if you know you're going to lose, there are some fights worth fighting. 2) That the weak need to be protected for their own good but also for the good of the protectors.

What struck me was the intense juxtaposition between these two incidents. Tom Robinson, a black man, was forced to go to trial and sentenced to death for a crime he did not commit. Boo Radley, a white man, actually killed a man, and - though it was obviously in the defense of children - the truth is again hidden but this time to his benefit.

I'm still struggling to process how very wrong this situation is. Part of me truly understands Atticus and the Sheriff not wanting to get Boo involved, but at the same time this compromise of truth is tainted by the white privilege that Boo enjoys. Would the sheriff have been so understanding if a black man had killed a white man in defense of black children? Would Atticus? I would very much like to think they would, but I can't help but feel they wouldn't.

I know this makes the characters flawed and real, but if feels like the book doesn't even see extreme wrongness of the situation. Scout certainly doesn't and I really can't tell if Harper Lee did. The disparity and the lack of awareness illustrates the problem with institutionalized racism. Even the "progressive" characters fall easily into the established system of privilege and oppression.

I will read this book again as a parent and I will enjoy it as I did this time and the time before. As a child, I thought Harper Lee's To Kill a Mockingbird was complex and nuanced. As an adult, I find it even more so and I have solid faith that each time I read it, I will find new, fascinating, and sometimes disturbing facets. And that's pretty much the ultimate compliment for any book.

Tuesday, October 15, 2013

The Classics Project: A Year of Classic Literature


I've always considered myself fairly well-read. After all, I read all the time. Then I saw one of those lists. You know the ones. "100 Best Books of All Time" "100 Must Read Classic Works of Literature" Those. And while I do usually score above the "average" person, that has always felt like a really low bar. Many of these books have been influential in our society, and I'm starting to feel like I'm missing out.

So I've decided to start a project. The Classics Project. I'm going to take one year of my life and devote all of my pleasure reading to the classics. I'll give myself a pretty large selection and write a review for each one so you, my readers, can follow along in my literary journey. Honestly, it's kind of shocking which books I haven't read, but please don't judge me too harshly! After all, I'm not listing the plethora of books that I have consumed. ;-)

Here are some quick rules about the list. 1) It has to be something I haven't read. 2) It has to be fiction. I prefer novels, but I do have one or two plays on the list. 3) It has to be a work of literary importance. I honestly don't care if it was written 200 years ago or 10. If it's great, it's great. 4) I'm trying not to duplicate authors with some notable exceptions, in which case, I either really love the author or I couldn't decide which was a better representation of their work. If you think I've picked the wrong book feel free to let me know in the comments! 5) The final decision is mine. I know a lot of you have very strong opinions on what should or should not be on a list like this, but ultimately this list is for me. You can definitely make one of your own though! 6) No Dickens. Just no. I'll watch his stories on the BBC.

I don't expect to finish in one year, because let's face it, some of these books will take longer than three and half days. I do plan to continue reading and writing reviews beyond 2014, but I will no longer be limited to classics.

So without further ado....

The Classics Project:


  1. Anna Karenina by Leo Tolstoy
  2. Gulliver’s Travels by Jonathon Swift
  3. Heart of Darkness by Joseph Conrad
  4. Treasure Island by Robert Louis Stevenson
  5. Madame Bovary by Gustave Flaubert
  6. Middlemarch by George Elliot
  7. Moby Dick by Herman Melville
  8. Of Human Bondage by W. Somerset Maugham
  9. Robinson Crusoe by Daniel Defoe
  10. Tarzan of the Apes by Edgar Rice Burroughs
  11. The Great Gatsby by F. Scott Fitzgerald
  12. Tess of the d’Urbervilles by Thomas Hardy
  13. The Island of Doctor Moreau by H.G. Wells
  14. The Picture of Dorian Gray by Oscar Wilde
  15. The Wizard of Oz by L. Frank Baum
  16. Ulysses by James Joyce
  17. Portrait of the Artist as a Young Man  by James Joyce
  18. Vanity Fair by William Thackeray
  19. Wuthering Heights by Emily Bronte
  20. One Flew Over the Cuckoo’s Nest by Ken Kesey
  21. Wide Sargasso Sea by Jean Rhys
  22. Crime and Punishment by Fyodor Dostoyevsky
  23. Lady Chatterly’s Lover by D.H. Lawrence
  24. A Room with a View by E.M. Forster
  25. The Age of Innocence by Edith Wharton
  26. Frankenstein by Mary Shelley
  27. Lolita by Vladimir Nabokov
  28. Breakfast at Tiffany’s by Truman Capote
  29. On the Road by Jack Kerouac
  30. The Invisible Man by H. G. Wells
  31. Invisible Man by Ralph Ellison
  32. The Three Musketeers by Alexander Dumas
  33. The Catcher in the Rye by J.D. Salinger
  34. The Color Purple by Alice Walker
  35. The Scarlet Letter by Nathaniel Hawthorne
  36. The Old Man and the Sea by Ernest Hemmingway
  37. For Whom the Bell Tolls by Ernest Hemmingway
  38. Brave New World by Aldous Huxley
  39. Slaughterhouse-Five by Kurt Vonnegut
  40. The Bridges of Madison County by Robert James Waller
  41. Rebecca by Daphne du Maurier
  42. A Tree Grows in Brooklyn by Betty Smith
  43. All Quiet on the Western Front by Erich Maria Remarque
  44. The Crucible by Arthur Miller
  45. Watership Down by Richard Adams
  46. East of Eden by John Steinbeck
  47. The Sound and the Fury by William Faulkner
  48. Uncle Tom’s Cabin by Harriet Beecher Stowe
  49. The Metamorphosis by Franz Kafka
  50. One Hundred Years of Solitude by Gabriel Garcia Marquez
  51. Siddhartha by Hermann Hesse
  52. The Woman in White by Wilkie Collins
  53. Their Eyes Were Watching God by Zora Neale Hurston
  54. The Jungle by Upton Sinclair
  55. The Plague by Albert Camus
  56. The Bell Jar  by Sylvia Plath
  57. Mrs. Dalloway by Virginia Wolf
  58. My Antonia by Willa Cather
  59. Native Son by Richard Wright
  60. The Once and Future King by T.H. White
  61. Sister Carrie by Theodore Dreiser
  62. A Prayer for Owen Meany by John Irving
  63. The World According to Garp by John Irving
  64. Beloved by Toni Morrison
  65. Waiting for Godot by Samuel Beckett
  66. Sophie’s Choice by William Styron
  67. Murder on the Orient Express by Agatha Christie
  68. The Heart is a LonelyHunter by Carson McCullers
  69. Blood Meridian by Cormac MacCarthy
  70. Foundation by Isaac Asimov
  71. Doctor Zhivago by Boris Pasternak
  72. Brideshead Revisited by Evelyn Waugh
  73. Darkness at Noon by Arthur Koestler
  74. Under the Volcano by Malcolm Lowry
  75. The Way of All Flesh by Samuel Butler
  76. The Bridge of San Luis Rey by Thorton Wilder
  77. Go Tell It on the Mountain by James Baldwin
  78. The Naked and the Dead by Norman Mailer
  79. Portnoy’s Complaint by Philip Roth
  80. The Adventures of Augie March by Saul Bellow
  81. The Satanic Verses by Salmon Rushdie
  82. Naked Lunch by William S. Burroughs
  83. The French Lieutenant’s Woman by John Fowles
  84. Gone with the Wind by Margaret Mitchell
  85. Last of the Mohicans by James F. Cooper
  86. Glass Menagerie by Tennessee Williams
  87. Don Quixote by Miguel Cervantes
  88. The Red Badge of Courage by Stephen Crane
  89. The Thin Red Line by James Jones
  90. The Source by James Michener
  91. The Hunt for RedOctober by Tom Clancy
  92. Babbit by Sinclair Lewis
  93. The Hotel on the Corner of Bitter and Sweet by James Ford

What do you think? Is there a book or two you think I should add? I'd like to get this list up to 100, so please comment below!


Edit: As I write a review for these books, I will change the title to a link. Check them out!