Myers-Briggs Test for Characters

So I've put Nanowrimo on hold because I just didn't have a good grasp of who my characters are. I know their pasts. I know what they do and even why, but I couldn't wrap my mind around how they think. Since I'm writing in 1st person POV for both of them, that's kind of important.

I've done a lot of different things, trying to get a firm understanding of my MCs. I've filled out pretty much every questionnaire I could find, most full of trivial details. I've got concept pictures of them. I've worked out their past lives. But I still couldn't quite understand them.

I looked over several psychology/psychiatry books (because, let's face it, when I don't understand something I turn to science), but I still couldn't find what I was looking for. My main characters aren't crazy. Books on psychosis and biopolar disorder and borderline personality disorder didn't help. I began to feel like the thing I was seeking was so ordinary, so commonplace, that everyone else automatically understood it. What was I missing?

Then I remembered something. The Myers-Briggs test. The Myers-Briggs Type Indicator (MBTI) is a psychometric questionnaire that is supposed to examine differences in how people perceive and make decisions about their world. Whether they're more rational or emotional. More introverted or extroverted. Based on the work of Carl Jung, the MBTI "focuses on normal populations and emphasizes the value of naturally occuring differences." (Wikipedia)

Which was exactly what I wanted.

I've taken the test twice so far, one time for each of my protagonists. But it was so helpful that I'm considering taking it as my antagonists, too.

There are four areas that the MBTI measures and for each area, there are two options. The first is Introverted vs Extroverted. Intuition vs Sensing. Feeling vs Thinking. And Percieving vs Judging. There are 16 possible outcomes of the test, and each one gives a lot of information about how the person handles energy, information, decision-making, and their lifestyle.

For instance, one of my characters tested INTJ, meaning she's introverted, intuitive, thinking, and judging. This tells me that she prefers one or two close friends and quiet time. That she's good with abstract thinking, but not necessarily at focusing on current situations. She values objective criteria, but doesn't have much use for social considerations. She also likes to have a sense of control which can seem limiting to other people.

That's incredible! Now when I write as her, I know that focus will be something she struggles with. That she uses memories and speculation about the future to understand the present. That she might get overwhelmed by a crowd or be severely uncomfortable when she loses control. Hopefully, I'll be able to translate all of this information into organic, sincere writing because now I understand how she thinks. Hopefully I'll be able to fully get into her head.

The test is only 72 questions and you can take it for free here as many times as you like. After you get your result, you can look it up on Wikipedia for more information (just type INTJ or whatever your result is into the Wiki search bar). It'll also give you historical and fictional examples of other people who are the same type. Typelogic.com is another site that will give you a lot of info.

If you're having trouble solidifying your characters, it can't hurt to give this a shot. It worked for me. Let me know if it works for you!

Also, I found some fun charts showing MBTI types for the characters of Harry Potter and Downton Abbey. (I'm Hermione and Tom! Although occasionally I test as Luna and Matthew.)

100 Writers Project: The Circle of Writing

Hey, guys! This is my entry for the 100 Writers Project. Enjoy!

A little more than a year ago, I had an idea for a book. Actually, I had an idea for a different book. One that would be expansive and intimate and breathtakingly original. Then I realized that for all my years of reading and poetry and dreaming about writing a novel... I had no idea what I was doing. So I put that book aside for a day when I had both the dream and the skill, and set about acquiring that skill. I began constructing a new story from the ground up.

World building has always been the easy part for me. My brain is in infinite supernova exploding with ideas. The hard part was focus. I narrowed the world down and worked on the characters. I gave them names and found pictures that fit them (because I'm a very visual person) and created character sketches. As for plot, I had a rough idea of the beginning and the end and I figured that the middle would sort itself out.

Now enters the essential element. At this point, my mother (also a writer) had been attending small group writing seminars by New York Times Bestselling Author, William Bernhardt. She loved them so much that she decided to sign me up for the first one. Now I've always been a type-A, teacher's pet and I thrive in a classroom environment. I expected to learn a fair-amount, but honestly, through my individual research and experience, I didn't think it would really help me much as a writer. Was I in for a shock.

The seminars last one week and at the end of that first week, I was mentally and emotional exhausted. And I learned. I learned so much about structure that my mind was spinning. I learned the importance of outlining and clear planning. I learned that I still had a lot to learn.

Since then, I've taken the next two levels of seminars and I attended the Rose State Writing Conference in Midwest City, Oklahoma that was hosted by Mr. Bernhardt and attended the lecture he gave there. After I solidified the structure it was so much easier to sit down and write because I new exactly where I was going.

The next phase in my book was NaNoWriMo. I was about 20,000 words into my manuscript when November rolled around. At first, I shied away from joining Nano, because I was under the impression that you had to do a brand new book for it. For those of you who haven't heard of NaNoWriMo, it stands for National Novel Writing Month and participants attempt to write 50,000 words in one month with the help and support of their fellow writers. Two days after Nano started, I decided, why not? I needed about 50,000 more words in my story and I wasn't going to let the fact that the story was already started stop me.

And I did it. I finished with nearly 52,000 and I'd written through the climax. I still had a scene or two to tack on at the end, but I felt pretty much finished.

Next came the editing. In this particular area, I am lucky because even though I work as a freelance editor, there was no way I could edit my own work. But there was someone who could without charging me an arm and a leg. My mother. My mother is an amazing writer and editor and only a phone call away. So the only thing I had to do was go through the manuscript line by line and clean up the flood of red ink that she'd decorated it with. That was tedious. But I made it through. I also wrote the remaining scenes and polished a few rough areas. I had a finished second draft.

I attended one last seminar by William Bernhardt that focused on perfecting the end. One more exhausting week and then about a month later, I was ready to start shopping it around.

I have yet to meet any writers that like this step. This step is about marketing and (gasp!) talking to strangers, trying to convince them to love your book as much as you do. We're writers because we like to write. If we liked selling things, we'd work in retail.

But anyway, here again, I got a leg up. At the Rose State Conference seven months earlier, I got suckered into pitching to an agent. My manuscript wasn't anywhere near finished, but one of my writing-friends said "Go on! It's good practice. So what if she's not interested? It's not even finished yet!" (you know who you are!) and I did. And it was terrifying. I wrote and memorized a solid pitch and delivered it in a satisfactory manner, even if it was a little rushed and deer-in-the-headlights-esque. And, shockingly, the agent requested the full manuscript as soon as it was done.

So now it's done. I don't know if she even remembers me, but I crafted a query letter and sent her the manuscript. Who knows how long it will take to hear back from her. But in the mean time, I'm starting again.

A new story full of breathless excitement and intense emotion. I'm back at the beginning with a blank canvas and a head full of ideas. I am writing again. And the circle starts over.

Grace Wagner
From attempting to write epic fantasy as an elementary school kid to serious drama as a teenager, she has finally finished a novel. Having grown up in a household were reading and literature were paramount, she loves any book that makes her think and she reads across all genres. She's also hopelessly addicted to British television including Doctor Who, Sherlock, and Downton Abbey. She's lucky enough to have the opportunity to be a full-time writer, spending most of her days in front of a computer screen desperately trying to write something that matters. She's kept company by the most patient of companions, her cat Matches.



For more, follow her on Twitter or Facebook. She's also on Pinterest, Google +, and Instagram. You can continue following her here, on her blog, for more on her and the 100 Writers Project. If you are interested in participating in the Project, please contact her on any of the above sites or comment below.

5 TV Shows for Writers to Watch

I watch a lot of T.V. and in many ways I prefer television shows to movies. You get to know the characters better and, ultimately, you get to see them more. Especially if it's a popular show with many seasons. Recently, I've been watching these shows not as a passive observer, but as a writer. I take note of the conflict, dialogue, and pacing that the writers of these shows use to tell their story, because writing a novel is basically the same thing. Same idea, different medium.

So here's a list of five shows that exhibit excellent writing and are worth watching both for entertainment and as a writer.

1. Sherlock

Sherlock is the modern re-imagining of Sir Arthur Conan Doyle's timeless mystery series following the antics of genius detective, Sherlock Holmes. The T.V. series takes place in modern day London, placing the characters firmly in the real world yet still managing to stay true to the original plots. Aside from the stunning acting done by Benedict Cumberbatch (Sherlock) and Martin Freeman (Dr. Watson), this show is exceedingly well written. The sharp and intelligent dialogue between the two lead characters is engaging and addictive, while the lead characters themselves are immediately relatable and interesting. The show's constant flow of wit and excitement keeps the pace up through the hour and half long episodes placing the watch firmly in it's thrall. Sadly, there are only three episodes per season.

2. Homeland

Homeland is the best psychological thriller on T.V. It brings what is a very popular genre in books to the world of television. Following the paths of C.I.A. counter-terrorist agent Carrie and alleged captive-turned-terrorist Lt. Brodie, Homeland has swept a nation already hooked on thrillers in book-form. Not only is this show exciting because of its basic premise, but the writers do an excellent job of gradually reveling information. They don't present everything you need to know right away, instead drawing both past and present events out through the eyes of the characters. Trusting your audience to figure somethings out for themselves and only giving just enough hints to keep them going is essential to any "thriller" story, but even in other genres adding a layer of hidden depth with make any story better.

3. Doctor Who

Doctor Who has been a staple in the Sci Fi genre for decades, but the most recent reboot (starting in 2005 with Christopher Eccleston) has gone further than the original. While the initial seasons still have genre-specific themes and questionable graphics, Doctor Who really shows itself to be deeper than many outsiders can understand. The most recent seasons are especially well done crossing all genres including Science Fiction, Mystery/Thriller, Drama - even tossing in a bit of romance for good measure. But what the writers do best in this series is the characters. The characters are vibrant, original, and very much their own. Dialogue, clothing, and idiosyncrasies are expertly woven together to give life to these characters who are at their worst, human, and at their best, still very much human. 

4. The Newsroom

From the creator of the West Wing, the Newsroom is a sharp, intelligent exploration of the characters involved in the media today. It follows idealistic news anchor William MacAvoy and an ensemble cast of a fictional cable news channel dealing with and presenting actual news. The writers do an excellent job of weaving fictional characters around fact-based events, while at the same time using their story to present the watcher with harsh truths about today's world. A constant stream of witty dialogue, actual catastrophes, and almost slap-stick personal problems creates a story-world that is exciting, scary, hilarious, heart-wrenching, and deeply relevant to its audience. 

5. Downton Abbey

Downton Abbey is the runaway hit that follows the inhabitants of its namesake through the sinking of the Titanic, World War I, and beyond. Placed against the beautiful back drop of an Edwardian era manor house, an ensemble cast of characters ranges from the lowliest kitchen maid to the Earl of Downton himself. Each character is amazingly well-cast with individual and vibrant personalities. The interpersonal conflict is what drives the story forward without the need for contrived melodrama or explosions. Reaching beyond its genre's usual audience of Jane Austen lovers (count me as one of those), Downton Abbey has managed to hook all kinds of watchers. As a writer, it is very much worth watching for the snappy dialogue, what is said, as well as the underlying tensions, what is not said. This series excels at touching overarching themes through the characters lives and subtle pacing that draws the watcher along until they are completely addicted.


These are five of my favorite T.V. shows and the ones that I think would benefit any writer to watch.

What are some of yours?