100 Writers Project EXTRA: My first book (without pictures)

Because we want the 100 Writers Project to be inclusive, we've decided to include occasional "extras." At it's core, the 100 Writers Project is about first-time novelists, but some writers are already on their second or  third books. Some writers are published. And we want everyone to feel included and welcome in the 100 Writers community. In that spirit, we'd like to introduce Ken Magee!

I began writing seriously when I was in my late teens. That’s when I started a story called Dark Tidings, but then there was a long gap while I got a job and earned a living. All through that period, I got a recurring niggle which told me that someday I’d have to finish the book, partly just to prove to myself that I could do it.

In 2010, I decided that the time had come to get the book that was in me out. I tried to write every day, but that proved to be too difficult a discipline for me to follow. I’ve always been a bit of a lazy sort of guy, unless I’m under pressure e.g. if I have a deadline to meet. That meant that the best way to get the book finished was to pile on some pressure.

I think I also wanted some validation… was the story any good, was my writing style and ability up to scratch? I decided that I’d start looking for an agent or publisher, and if someone was interested then I’d have no choice other than to complete Dark Tidings.

I researched who’s who in my genre very carefully, Dark Tidings is a funny fantasy which lives under the tagline ‘ancient magic meets the Internet’. I knew there was no point in sending my fantasy to someone who only published romance or children’s books. Also, it was important to check that they were currently taking submissions and the only way to do that was by visiting their websites. They gave the very latest information, unlike listings in books, which get out of date very quickly. The websites also set out exactly what was required in the submission e.g. format, length, hard copy/email. Most of them seemed to want the first three chapters plus a synopsis of the whole story.

I compiled a list of potential agents and publishers. Then I set about editing, refining and polishing the first three chapters. In parallel, I wrote the story synopsis (which forced me to think through the complete story in more detail than I had previously). When I was happy with my work, I started submitting it to my list.

Then I waited, and waited. I used the time to further refine the three chapters and the synopsis. I’d decided not to have more than four submissions out at any one time, so when a rejection arrived, I sent out another enquiry. After seven standard rejection letters, I struck lucky with a small English publisher, Ragged Publishing.

They asked to see the completed manuscript. They wanted at least 90,000 words, but I’d only planned to do 50,000 so the pressure was really on.

As I said, I thrive under pressure and I found that, with someone pushing for the finished work, I was able to write all day, every day. The first draft was soon finished and I immediately passed it on to a professional proofreader/editor. I also worked on it in parallel searching out errors and improving the storyline. Between us, we got the job done and shipped the manuscript off to Ragged Cover... and they accepted it!

There was plenty more to do… design a cover, write the blurb, agree the contract etc., but that’s another story. Dark Tidings is now published and available in paperback, on the Kindle, Nook and Kobo. Here’s the Amazon link in case you’d like to check it out.

My name is Ken Magee and I’m an author. I live in Bangor, County Down. I worked for many years in the computer industry in a wide variety of roles including programming and sales. In the middle of it all, I served in the Royal Naval Reserve for five years... which was hard work, but fun. In 2010, I decided it was time to finish the book I’d started many years earlier (writing not reading). I would have finished it sooner, but life got in the way. The book’s now finished and published, but I don’t think any of the original story survived the process!

Follow him on Twitter

100 Writers Project: Kill Your Darlings!

Introducing Jesse Rebock!

About ten years ago (that'd put me in middle school, I suppose), I took up a pen and decided I'd write a story. After a hundred video games, books, and movies, how hard could it be, right? Heck I've been telling stories long before that - not that they were any good - but a novel, eh? Now there's a challenge.

Several revisions, a hundred epiphanies, and ten years later, I figured I'd finally gotten it down. It wasn't as though I'd spent all that time working solely on writing, but after picking up the hobby and deciding to make it a serious business, I edited and wrote and patched and fixed and edited again. I even attended the Writer's Digest Conference of 2013 and pitched my book idea at a multitude of agents, having garnered enough confidence from peers and anonymous critiquers alike.

But I came to a horrible realization. This book, the first of planned series of seven (maybe eight), was wrong.

I thoroughly enjoyed writing the story, got very involved with the characters, and especially loved piecing together the setting. I had written histories, bloodlines, even finished a rough-draft of book two. The characters and the world(s) in which they lived were as alive in my mind as a celebrity is to …well, to a normal person. I had gotten loads of positive response and praise until I spoke to one person who changed everything.

And all she did was ask me the simplest of questions, even after reading it herself. "What is the plot?"

I couldn't answer, and was horrified because of it.

I realized that this story, this "gateway" breakout novel, was little more than the ramblings of a teenager, without direction or meaning or subtext. Over the years, the story stuck with me, and I kept adding to it, eventually laying a plot line over the "journey" that I had spent years polishing. But said plot-line was not only sub-par, it was boring.

So lo and behold, I found myself in a position I would never have thought myself to see. Rewriting a book, yeah, that's feasible. Roll up the old sleeves and crack your knuckles, it's going to be a lot of work. But I had attended a Pitch Slam only weeks before, and was still waiting to hear back from the last of the agents. At this point, I'd heard from a few who'd read samples, and was rejected. But now, with the new-found realization that I not only needed to, but wanted to fix the novel, I actually felt relief in seeing the rejections.

After all, what if one of them actually said they liked it, and wanted to see more? I would have to turn them down. Turn THEM down.  Who ever heard of a first-time up-and-coming writer turning down the publishers?

So after a few days of contemplation (and they thought I was working at my day job! Ha~ha, nice try sucka!) I formed an idea. Scrapped it. Played with some other ideas. Something stuck. I'll skip this part - you all know how chaotic and subjective the creative process can be. Suffice it to say, I put my mind to the grindstone. Is that even a phrase? You know, put so much concentrated, prolonged mental effort that you work up an appetite despite lunch concluding fourteen minutes ago.

I did what I had dreaded - I went back to square one. The story was not scrapped entirely, for there is much that remains in it that I will salvage, but there's going to be some serious trimming and the addition of two story-lines coinciding with the original ­solo. I made a plan, I used spreadsheets, I jotted down ideas on Post-Its and transcribed them to digital later.

The short of it: I now have a plot (gasp), and by extension a better story. Gathered a bunch of proverbial phoenix downs after ritualistically slaying my books original premise, and without getting into details, well, I'm more emboldened and excited than ever.

I have taken up two new mantras as a direct result of this event in my writing career.

“Books aren't written - they're rewritten. Including your own. It is one of the hardest things to accept, especially after the seventh rewrite hasn't quite done it.”
― Michael Crichton

and

“Kill your darlings, kill your darlings, even when it breaks your egocentric little scribbler’s heart, kill your darlings.”
― Stephen King, On Writing

Fantasy Writer, Health Nut, Mango Slayer. I'm kind of a self-described audiophile and harbor a passion for trivia. I was born in Connecticut, raised in the Catskills of New York, and matured in New Jersey. I’ve traveled a little - been to Alaska and S. Korea - and hope to travel more in the future; life is an experience and I’m hoping to experience quite a lot. I have a degree in Fine Arts, have taught English as a
Second Language, and have a penchant for listing things in threes. Also really enjoy mythology and linguistics - often lacing my writings
with hidden meanings and dastardly names.

Favorite and/or Influential Books:  Shogun (James Clavell), Ravnica: City of Guilds Trilogy (Cory J. Herndon), Dune (Frank Herbert), Foundations (Isaac Asimov), The Hobbit (Yeah yeah…)

If you're interested in learning more about Jesse Rebock, follow him on Twitter, or check out his blogs, redamnesia.wordpress.com (more traditional blog posts)
redamnesia.blogspot.com (Fantasy Writings for public viewing.)

A New Light

Well, I'm nearing a sort of end with my first book. It still needs a bit of work, but it should be ready to send out to agents and beta readers any day now. So what's next?

Photo by xdante-stock

It turns out I have an opportunity to do something pretty exciting. I can't give too many details (top secret!), but it's going to be awesome. A best-selling writer friend of my has created what he calls an "open world." He's writing a novel set in this world, but he is also inviting fellow writers to create connected novellas. That's were I come in. I'm one of the lucky ones he's approached.

So while I didn't design the world, I will be writing a story of my own creation in my own style. And let me tell you, it's exciting. I love creating within a framework. It's a challenge. In many ways it's more difficult than creating everything from scratch. Conforming to set rules while maintaining my unique voice has always been something I enjoy. That's why I write sonnets or pontoums. It's hard and it's fun.

I'll give more details as I can and I hope all of my readers will support this project. I love the idea of having many authors involved in one world. Even with novellas, that will allow an in depth exploration of human experiences that can be hard to achieve with a single novel or a single writer.

Also, it's refreshing to work on something new. I love my novel, but I've been with it for over a year. I'm ready for a new challenge!

A Map for That

Well, I made it. I've finished William Bernhardt's Level III Writing Seminar and I'm still alive. If only just.

In Level I, we covered the beginning third of our books and focused on structure. In Level II, we worked on the middle section and focused on plot and character arcs. In Level III, we finished the book.

I do feel reinvigorated about my ending. Until now, no one except my mother (and spectacular editor) had read it, and like I talked about in my previous post, I was a bit nervous about how it would be received. But on the last day of the seminar, as per tradition, Bill took us all out to lunch. There was something so final about sitting around a table eating fish and chips. Something melancholic. It was done. We'd made it.

Now what?

I've got a couple of scenes to write (or add to) in the middle of my book, but that's pretty much it. After I get those done, I'll be sending my manuscript off to agents and my beta readers. This book I started a year ago has come full circle and is ready to be sent out into the world.

I would like to say that my experience writing my first novel has been made infinitely easier thanks to Bill's seminars. When I first attended his Level I, I only had thirty or forty pages written. Because I had so little on paper and the Level I lectures focused mainly on structure and outlining, I was able to fix any major structure/plot issues before they happened. I also don't have much in the way of excess scenes. Neither I nor my editor (or readers) have run into any scenes that need to be deleted. In fact, I've got to add a couple in. My very thorough outline has given me an easy map to follow.

And now I've reached my destination. I've got a finished product and I'm preparing to send it out into the world.

I wish I had a map for that.

Violence in Young Adult Fiction

Hey, guys! I'm in the middle of William Bernhardt's Level III Small Group Writing Seminar and it's crazy intense. It's also the first time anyone aside from my editor has seen the more violent scenes in my book, and it has been interesting to say the least.

Whenever anyone talks about violence in the YA genre, most people immediately think of The Hunger Games. After all, what could be more violent than putting 24 teenagers into an arena and telling them to slaughter each other? But in many ways, The Hunger Games does a good job (at least in the first book) of having most of the violence be off-camera.

In my book, it isn't. It's up close and personal. It's intimate. And, yes, it is pretty graphic. The violent scenes weren't easy to write and they shouldn't be easy to read. I'm not condoning torture; I'm condemning it. I want my torture scenes to be harsh and realistic. Torture shouldn't be candy-coated.

My very wise teacher started a discussion about this in our class today. Is my book too violent for YA?

Overall, the answer was no. Yes, it's horribly violent. Yes, it's traumatic. But no, that shouldn't stop it from being considered YA.

Some people may not be able to handle the violence, and that's okay. I definitely don't think anyone younger than High School age should read it. But I'm not going to change it. It's part of the book. A very dark, terrifying part, but integral nonetheless. And I know people are going to tell me to change it, but part of being an author is standing behind your work.

What are your thoughts on violence in the Young Adult genre?

100 Writers: Inspired by Revision

Introducing Alexis Lantgen

One of the things that you discover when you're writing your first novel is that the internet is full of advice. Write quickly, they say. Self-Publish! No, find an agent! Be yourself! But write something marketable! Books are dead! All your stories should contain at least one vampire! Don't write about vampires unless you want to make an agent gag!

There are tons of lists everywhere you look on twitter and blogs. Top ten mistakes most authors make. Top ten things you should do to promote your work. Top ten reasons why your book isn't selling. Ten top ways to get a billion twitter followers. Blah.

This advice starts to get tedious, especially when you realize that it's all A) completely contradictory B) not your style and C) boring. I suspect that anyone who has a fascinating story buried inside them somewhere can't stand reading these goddamn lists after a while, much less writing one. So despite the mountain of advice out there for new writers, actually getting your book on paper for the first time feels like forging an entirely new path.

This probably shouldn't surprise anyone who knows about what actual writers are like. Ernest Hemingway probably never wrote anything until he'd had at least three glasses of scotch, while Jane Austin wrote on her dining room table. Douglas Adams wrote while listening obsessively to music like the Beatles. In other words, no one does it the same way, and what works for one writer may not for another (although I'd be curious to see what Jane Austin would write after three glasses of scotch). Maybe you write best early in the morning, and maybe there are no workable thoughts in your mind before noon. Maybe you work differently on some days then you do on others. Whatever feels like the right way to work, that is the right way to work.

So writing my first novel has ultimately been about discovering how I work best. Some of my discoveries so far? I can't NaNoWriMo (National Novel Writing Month). I tried, I really did, but I...must...revise. I can't just write and write without fixing things. In fact, I get hopelessly stuck when I try it. On the other hand, revising my previous chapters inspires me to write more. Why? It helps me to remember some of the fine details I've included in my story thus far, and I can rewrite characters or scenes to give my later chapters more impact. Most important, it helps me keep my entire story in mind, so that every scene feels like a part of the whole. I understand that for some people, NaNo helps them get out their first draft, but it doesn't suit everyone, so don't feel bad if you're a NaNo dropout like me. It doesn't mean you can't still finish your novel.

So revision helps me find my inspiration. If that works for you, great. If not, try something else. No matter what anyone on the internet or elsewhere tells you, it only takes one thing to become a writer, and that's actually writing things. Find your story, and you find your core. That’s what’s worked for me--I love my story. I want to finish it, whether it’s published or not, or critically praised or not, or even if no one reads it but me. If you’re not in love with the story you’re writing, then write something else and keep writing until you find a story you love. Because chances are, if you love it, someone else will too.

Alexis Lantgen
Alexis Lantgen is a musician and writer who holds a master’s degree in music performance from Florida International University, as well as a Bachelor of Music in viola performance and a Bachelor of Arts in Letters (Magna cum Laude) from the University of Oklahoma. She performs on violin and viola in orchestras including the Wichita Falls Symphony and the San Angelo Symphony. She currently teaches private violin and viola lessons, and in the past taught eighth grade English and ESL in Dallas public schools. Her first novel is a YA Urban Fantasy about a young African American boy with special powers who must save his sister from an evil voodoo sorcerer and his demonic feathered serpent. She hopes to finish editing and revising her manuscript by this summer.

For more from Alexis, you can follow her blog or catch her on Twitter

If you are interested in participating in the 100 Writers Project, comment below or contact Grace Wagner on her Facebook page or Twitter.

100 Writers: The Black Hole After the Great American Novel

For our first installment of the 100 Writers Project, more information on the project here, I'd like to introduce Trisha Schmidt.

So I finished it. I did it. I finished my first ever novel. Now what? I’ve finished the second draft edits of my novel, but I need to set it aside in between edits to clear my head and come back with fresh eyes.  So the question is: what do I do now? I have other ideas. Quite a few of them, actually, but none seem to want to slide into place and get off the ground. Writing this first one was too easy. I sat down during Camp Nano last August and the words flowed. They really flowed. When I had struggled to get 2000 words on most days with other projects, I was kicking out 3k-4k words on most days during that month. Sixty-five thousand words in a little over 30 days. A complete rough draft.  And now? Now I stare at the screen.

What’s different now? What changed? I think the greatness of having that first one finished, for starters. That constant flow of words that happened almost every time I sat down to write was amazing and freeing. I would worry for a few minutes and then, when I started to type, it flew by. I would realize I had my 3 or 4 thousand and knew it was a good day. I’m not sure if I’m psyching myself out because those words flowed so easy. I also second guess my ideas. They’re boring or have been done before. I strive to be original and have stories that are different. There are only so many stories to tell out there before they have similarities. I just need to convince that part of my brain to let go and just write.

How does one let go of that first novel? I can’t 100% let go because it isn’t finished in the sense that it still needs a lot of editing, but I need to move forward with my writing. I have successfully written blog posts along the way. I’ve done plenty of rewriting with at least 10k words added to the first novel. I have written, just not a new story.

At this point in my writing career, I am still learning every day. I hope that I will always learn, but, being a newer novelist, I have learned so much in the last year. I’ve learned that I’m capable of finishing a novel. I’ve learned that editing is as awful as I first thought it was, but that it is also thrilling to see the first draft mutate to something else, something more. I’ve learned that publishing a book is even harder than I thought and that getting an agent requires more writing still.

All these things have more than likely added to my case of writer’s block. I keep learning and the more I know, the more I can overthink. I can really psych myself out now. What if I picked the wrong POV and that turns all the agents off? What if I don’t get the YA voice correct leaving teenagers not wanting to read it let alone anyone else? Now I really get what they mean when they say writing is hard. It’s hard to have faith that you wrote something fresh and new. That what you’ve written is the next big thing. And when you doubt the first, how can you move on to the second or third?

Thank goodness for the shower and its magical power of persuasion. I am working through my block. I realized that a great story is great no matter what POV you choose. Yes, I realized this in the shower. I’ve also come up with bits and pieces of the story I hope to turn into a novel in the shower.

Then there’s Nano. Camp Nanowrimo is again upon us and they have changed the rules. You can change your writing goals. For those who don’t know of Nanowrimo, www.nanowrimo.org. It is a crazy writing challenge where people sign up to write 50k (or whatever you choose for this lesser offshoot called Camp) and join other writers to accomplish this goal. The main challenge is to get you in the habit of writing consistently for 30 days and also to help people finish a project they start. Many don’t finish their story but hit the word goal and writing daily is a great start to finishing a project.

I am surrounded by plenty of writing friends who are also participating in Camp which helps me to move forward. Nothing like a little competitive spirit to get things moving. Nano believes in  getting the words on the page. No inner editor allowed here. Just write. I can work out the problems when I edit since all writing is really rewriting anyways, right? Who knows if I will finish my next novel during Camp or if I will abandon it to come back another day, but at least it is a goal and having a goal is the first step.

I know that I will get my mojo back eventually whether it is now or 5 months from now. I just have to relax and have a little faith that I can tell a story no one else can tell. I certainly like to believe my ideas are different. Regardless if they are different or not, I need to find the fun again, and maybe throw my characters into a bad situation or two. Who knows what will happen?

Trisha Schmidt

I'm a writer who is plugging away at my first novel and stumbling through the whole process as I do! Draft one is done and I am learning editing as I go with the drafts 2 and 3 and who knows what number I'll stop at! With a great love of movies, I also write screenplays. 

I can be random (as are my posts!) and my filter seems to be broken so I say what is on my mind. Exclamation points are one of my first loves!!!! Feel free to love them with me!

Becoming a published author is my goal so strap yourself in, it's gonna be a bumpy, crazy ride!

For more from Trisha Schmidt check out her blog seeredwrite or follow her on twitter @seeredwrite.