A to Z Challenge: O is for OULIPO or "Because I could not stop for Decomposition"

Usually I don't like to provide much of an introduction or explanation for my poetry, but I felt this needed a little something. OULIPO is short for Ouvroir de littérature potentielle which roughly translates as "workshop of potential literature." It's a small group of mainly french writers and mathematicians. The pairing may seem odd, but they seek to create literature within vary confined parameters. There are a lot of different forms. A lipogram excludes a specific letter (La disparition by Perec is a 300 page novel that excludes the letter 'E'). A snowball is a poem in which each line is a single word, and each successive word is one letter longer.

I decided to go with N+7 rule. Basically, you take a work that already exists - a poem or a song or a novel - and replace every noun in the text with the seventh noun after it in a dictionary. Results will vary depending on what dictionary is used, and since I am at work, I was limited to an old thesaurus, but I kept with the N+7 results and came up with this little poem.

Because I could not stop for Decomposition

Because I could not stop for Decomposition -

He kindly stopped for me -

The Casket held but just Ourselves

And Imperfection.

We slowly drove - He knew no hazard

And I had put away

My lady and my lethargy too,

For his Clarity.

We passed the Scoundrel, where Chorus strove

At Reckoning - in the Rivalry - 

We passed the Film of Gazing Grass -

We passed the setting Superstition -

Or rather - He passed us -

The Diary drew quivering and chill -

For only Grace, my Grandmother -

My Toil - only Turmoil - 

We paused before a Hue that seemed

A Symbol of the Growth

The Root was scarcely visible -

The Corpse - in the Growth - 

Since then - 'tis Certainty - and yet

Feels shorter than the Death

I first surmised the Hosts' Health

Were toward Evening - 

Side Note: I tried this with a couple of poems, before settling on this one. The others were just completely unintelligible! 

The Importance of Outlining

Outlining. For some writers it's a dirty word. For me, it's the reason I finished my first novel.

That may sound a bit extreme. There were many factors that contributed to my realizing that goal, but I cannot stress how important outlining was. Especially since I wrote the last half at the break-neck speed of NaNoWriMo. If any book has helped me with this process, it's William Bernhardt's Story Stucture: The Key to Successful Fiction

Insert shameless plug here.

Outlining my story helps me fill out the in-betweens. The segments that happen between major turning points. I knew where I wanted to go, but until I outlined, I had only the vaguest sense of how I was supposed to get there. And like any map, outlining is only a suggestion. A simple route from Point A to Point B, but that didn't stop me from wandering off the map when my characters led me.

In terms of process, it's a lot easier for me to sit down and write an entire scene. I pick up the next index card (yes, I'm old-fashioned) and I write that scene. I know where it's going and I know where the story is supposed to end up. Some people prefer to write from middle to middle that way they aren't starting with a blank page. As for me, I tried that, but I could never bring myself to stop in the middle of a scene. If I got started I had to go until it was finished.

I also believe outlining gives you a chance to look at the story structure as a whole. Outlining defines the trees, but it also gives you a pretty good idea of what that forest is going to look like when you're done planting. You can see things like, are you ramping up the intensity? Do your subplots find resolution?

Above all, the reason I'm talking about outlining today, as I prepare for yet another NaNoWriMo, is to remind myself. Yes, coming up 60-100 scenes is time consuming and exhausting. Yes, my OCD means I have to have the index cards fully filled out and in a semblance of order. Yes, I could be watching Netflix. But outlining is important.

So I'd better get busy.

A Map for That

Well, I made it. I've finished William Bernhardt's Level III Writing Seminar and I'm still alive. If only just.

In Level I, we covered the beginning third of our books and focused on structure. In Level II, we worked on the middle section and focused on plot and character arcs. In Level III, we finished the book.

I do feel reinvigorated about my ending. Until now, no one except my mother (and spectacular editor) had read it, and like I talked about in my previous post, I was a bit nervous about how it would be received. But on the last day of the seminar, as per tradition, Bill took us all out to lunch. There was something so final about sitting around a table eating fish and chips. Something melancholic. It was done. We'd made it.

Now what?

I've got a couple of scenes to write (or add to) in the middle of my book, but that's pretty much it. After I get those done, I'll be sending my manuscript off to agents and my beta readers. This book I started a year ago has come full circle and is ready to be sent out into the world.

I would like to say that my experience writing my first novel has been made infinitely easier thanks to Bill's seminars. When I first attended his Level I, I only had thirty or forty pages written. Because I had so little on paper and the Level I lectures focused mainly on structure and outlining, I was able to fix any major structure/plot issues before they happened. I also don't have much in the way of excess scenes. Neither I nor my editor (or readers) have run into any scenes that need to be deleted. In fact, I've got to add a couple in. My very thorough outline has given me an easy map to follow.

And now I've reached my destination. I've got a finished product and I'm preparing to send it out into the world.

I wish I had a map for that.